As I’ve said a number of times, it’s always interesting to see what stories catch in readers’ imaginations. “An Important Failure”— Clarkesworld August 2020– seems to be one of them. So far it’s collected attention from a few quarters. It’s been acquired by the Polish magazine Nowa Fantastyka for translation (it should appear later this year). It’ll be in Jonathan Strahan’s The Year’s Best Science Fiction, Volume 2.
And, finally, it found its way onto the Aurora Awards ballot in the novelette/novella category– this is a Canadian speculative fiction prize administered by the Canadian Science Fiction and Fantasy Association, so someone in the CSFFA must have liked it. In fact, if you’re a member of the CSFFA, you can vote for it, too.
I wonder what it is about the story. That it’s about adjusting to straitened circumstances as the world shuts down around us? That it’s about creation in the face of climate change? Maybe because it’s full of longing & fear for the woods, and none of us could go anywhere much this year.
All three reasons? None and something else I can’t identify. Once again, I’m just grateful that people want to read it.
While posting on facebook about my Sunburst nomination, I noticed that the two short stories I had forthcoming– “An Important Failure” and “The Bletted Woman” which will be in The Magazine of Fantasy and Science Fiction-– are both sad stories about the BC coast. Then a friend pointed out that “The Glad Hosts” falls into this category. As does “Such Thoughts Are Unproductive” and “Lares Familiares, 1981” and “Unearthly Landscape by a Lady.” Basically, I have a genre, wherein sad, weird, unpleasant things (magical, dystopian, alien) happen to people on the west coast. Or to people in some way related to the west coast. In this case, it’s about a luthier who’s collecting wood to build a violin in a poor, beat-down near-future version of Vancouver and Vancouver island.
So “An Important Failure” is another one of these sad stories about the coast. I started writing it while watching the bushfires in Australia back in January, and finished it in June, while in lockdown. The world seemed to transform several times in those months, and the story reflects my disorientation. It’s a story about processing change– how we do it, how we fail to do it. It’s also about the giant trees of BC– the “Champion Trees” of UBC’s big tree registry. The miraculous old growth they show you on fifth grade field trips to Cathedral Grove, or just off the road between Lake Cowichan and Port Renfrew. They’re vulnerable, of course: logging, poaching, climate change, wildfires. They’re so old, they belong, quite literally, to a different world.
Finally, it’s about what’s leftover when the world changes and what we do with trees after they’ve fallen. And it’s about making a violin, sort of, because though I love forests, I also love the things that come out of the forests: the people, the houses, the shakes, the paper, the stories, the colour of red cedar, the feeling you have walking into a wood-heated house in January, when it’s raining outside, the smell of fire fills all the rooms. I love the lives and afterlives of trees. I love the violin my main character is trying to make, and even the lengths he must go to to make it.
“An Important Failure” is available to read at Clarkesworld.