Tagged: canadian literature

“An Important Failure” in Clarkesworld.

While posting on facebook about my Sunburst nomination, I noticed that the two short stories I had forthcoming– “An Important Failure” and “The Bletted Woman” which will be in The Magazine of Fantasy and Science Fiction-– are both sad stories about the BC coast. Then a friend pointed out that “The Glad Hosts” falls into this category. As does “Such Thoughts Are Unproductive” and “Lares Familiares, 1981” and “Unearthly Landscape by a Lady.” Basically, I have a genre, wherein sad, weird, unpleasant things (magical, dystopian, alien) happen to people on the west coast. Or to people in some way related to the west coast. In this case, it’s about a luthier who’s collecting wood to build a violin in a poor, beat-down near-future version of Vancouver and Vancouver island.

So “An Important Failure” is another one of these sad stories about the coast. I started writing it while watching the bushfires in Australia back in January, and finished it in June, while in lockdown. The world seemed to transform several times in those months, and the story reflects my disorientation. It’s a story about processing change– how we do it, how we fail to do it. It’s also about the giant trees of BC– the “Champion Trees” of UBC’s big tree registry. The miraculous old growth they show you on fifth grade field trips to Cathedral Grove, or just off the road between Lake Cowichan and Port Renfrew. They’re vulnerable, of course: logging, poaching, climate change, wildfires. They’re so old, they belong, quite literally, to a different world.

Finally, it’s about what’s leftover when the world changes and what we do with trees after they’ve fallen. And it’s about making a violin, sort of, because though I love forests, I also love the things that come out of the forests: the people, the houses, the shakes, the paper, the stories, the colour of red cedar, the feeling you have walking into a wood-heated house in January, when it’s raining outside, the smell of fire fills all the rooms. I love the lives and afterlives of trees. I love the violin my main character is trying to make, and even the lengths he must go to to make it.

“An Important Failure” is available to read at Clarkesworld.

“Dysnomia” in subTerrain 84.

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subTerrain and Orwell pose on my kid’s chalkboard.

A very long time ago I used to write literary fiction. These were populated by a lot of young women who had feelings and watched loons fly across evening skies after days of unspecified sadness (not exactly that, but it gives you a sense of what I mean). They also had failed relationships, and drank coffee, and sometimes something a little uncanny happened, like they wandered into a cornfield, or someone lit themselves on fire. I’m being glib, of course, though I did learn a lot about writing producing those stories, and I even published a few of the more interesting ones in Canadian magazines like Grain and Geist and Room of One’s Own. They were best when they slid into the literary weird, which I think happens naturally if you’re trying to describe your experiences of the world in a precise and granular way– deep focus and precision makes everything seem weird, doesn’t it?

Anyway. One of places I used to send stories was a magazine called subTerrain. I think I might have also sent them some pretty dire poetry, as well, poor editors. They never took anything, though. And who can blame them, what with the loons and the feelings.

So, you can imagine my great, gleeful pleasure that finally I have a story appearing in subTerrain. And while it’s about feelings, and forest fires, and there are no loons, there is systemic forgetting, on both the institutional and personal level. And there’s dystopia.  Please check it out and buy if you can. There’s a lot of good & relevant stuff in here, and it’s a beautiful magazine.

The Paradise Engine. At last.

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The Paradise Engine by Rebecca Campbell. Forthcoming from NeWest Press May 2013.

So. Nearly four months away from this blog, which makes me sad, because I really like blogging.  I spent most of the winter swamped in the innumerable, seemingly-unfinish-able tasks that dictate how and where I spend my time. That means either marking, or writing academic stuff.  In happy news, I’ll be presenting a paper on Insurgency & Commemoration at Batoche for CACLALS this spring, at UVic. I haven’t presented a paper since 2011, so it’s about time.

I’m teaching an extra section of composition, too, for January – April, which means I have 70 students instead of the 30-something I had in the autumn.  For the most part this is good news (for four months we’ve cracked the poverty line!) but it means I have no time. And so much to do. I try not to do the infernal mathematics:  70 students x 12ish assignments each = what was I thinking.

Of course, there are bright things, too, and pleasant news.  One of them is that my novel is coming out in May.  It has a cover!  It’s very very pretty.  I feel so lucky that the people at NeWest— editors, designers, marketers, managers– understand what I was trying to do, and have designed something that reflects & expands on the story.  I’ve been thinking a lot about collaboration for the last couple of weeks, as I realize how many people have contributed to turning The Paradise Engine from a secret word document I kept squirreled away on my harddrive, to an actual, real book. That’s pretty exciting.