One thing preoccupied me during the battle: what are they thinking?
What do they think while they’re marching up and down the field, and firing muskets at one another, or wandering in and out of the white canvas tents. Obviously, a lot of their attention would be taken up trying to figure out where you were supposed to be when, just because the choreography for a crowd that large has to be pretty demanding. But when they were in position, and taking aim at the opposing line, what did they think? Did they imagine themselves to be in 1812, representing a person who might actually have lived through the original version of that moment? In other words, if the battle was theatre, were they actors as well as re-enactors? Continue reading “Report from a Re-Enactment II: Conversations with a Mohawk Warrior and a Damn Yankee”→
Reasoning that it qualified as dissertation-research (for me, that is), D and I drove down to the Niagara Peninsula last weekend to watch the re-enactment of the Battle of Queenston Heights. This event was part of a huge, national project to commemorate the 200th anniversary of the War of 1812, with events planned all around Ontario and Quebec for the next two years. There will be fancy-dress armies, historically-accurate food, tall ships, sea-battles, red-coats, poke bonnets. Laura Secord. Tecumseh. General Isaac Brock. The events are spectacular, and expensive, equal parts educational opportunity and vacation plan.
Queenston Heights is a park that was once a battlefield. You know it was a battlefield because there’s a very large monument to Sir Isaac Brock, the English General who led British and Canadian troops against the Americans in October 1812, and who died early in the battle. The memorial tower rises aggressively on the Canadian side of the frontier, with Brock at the very top, pointing toward the American side of the river, as though the tower isn’t only to remind us of the general’s death, but to tell us where and how to look toward his American enemies.