So, my 2019 story “The Fourth Trimester is the Strangest” has won the Sunburst Award– a Canadian prize for speculative fiction. This is a surprise. It first appeared in The Magazine of Fantasy and Science Fiction‘s May/June issue last year, and it will also be in Paula Guran’s The Year’s Best Dark Fantasy and Horror.
Like everyone else, I write alone, and ninety percent (or ninety-nine? or ninety-nine-point-nine?) of my work is invisible: private, excised from a draft, or just a dead-end kind of story that’s best left on my hard drive. Of the stories that eventually make it to publication, most surface for a few moments, then disappear again. This is as it should be– there is always something new to read, and we are in a moment that’s rich with wonderful stories.
But every once in a while a story catches with people. An editor like CC Finlay at F&SF decides to publish it, and maybe a few readers take time to read it and respond to the strange thing I’ve made. It’s rewarding to see it happen because it means I’ve found a way to talk about something important or unusual, or maybe I’ve found a new(ish) way to say something familiar. I wrote this particular story to capture the disorientation of childbirth and newborns. That’s important to me, and it’s good to know it’s important to other people, too. And given the isolation of writing in general, and of our terrifying, exhausting moment in particular, I am so very very grateful to hear that someone, somewhere read the story and heard what I was trying to say. And valued it, too. That’s about the best I can hope for as a writer.
Well, and being on a list with Amal El-Mohtar and Richard van Camp, winning a prize that’s also been won by A.C. Wise and Nalo Hopkinson. That, also, is pretty wonderful.
(oh, and I get a medal. A MEDAL. Guys. I’m going to have a medal. Not since I got a silver Canada Fitness Badge in seventh grade have I had anything like a MEDAL)
“The Fourth Trimester is the Strangest” came out last spring in The Magazine of Fantasy and Science Fiction. I blogged briefly about it here. The infant I describe in the story (and the blogpost) is now a chatty three year old, and the story has been shortlisted for a Sunburst Award. This is a wonderful compliment, considering the strength of the long list. I’m also pleased to share the space with four other writers:
Rebecca Campbell, “The Fourth Trimester is the Strangest” [The Magazine of Fantasy and Science Fiction, May/June 2019]
Amal El-Mohtar, “Florilegia” [The Mythic Dream, Gallery/Saga Press]
Kate Heartfield, “The Inland Beacon” [Tesseracts Twenty-Two Alchemy and Artifacts, July 2019]
Richard Van Camp, “Wheetago War II: Summoners” [Moccasin Square Gardens, Douglas & McIntyre]
The story will also be available in Paula Guran’s anthology The Year’s Best Dark Fantasy and Horror, out in October. It’s nice to see a story do so well in the world, and connect with so many readers.
Yesterday the Sunburst Society released the shortlist for their 2016 awards. It’s the first year they’ve included short fiction, though they’ve had categories for adult and YA fiction for a while now. The formal title– Sunburst Award for Canadian Literature of the Fantastic—is an appealingly broad category that celebrates work from magic realism to hard SF, which is one of the reasons I like the award– there’s room for Nalo Hopkinson’s Skin Folk, and Ruth Ozeki’s A Tale for the Time Being, and Thomas King’s The Back of the Turtle.
I’m pleased to say “The Glad Hosts” is on the list along with these other remarkable stories:
Charlotte Ashley’s “La Héron” in The Magazine of Science Fiction and Fantasy.
Mike Donoghue’s “Stuck in the Past” in Abyss and Apex.
Catherine McLeod’s “Hide and Seek” in Playground of Lost Toys
Kelly Robson’s “Two Year Man” in Asimov’s Science Fiction.
Peter Wendt’s “Get the Message” in Second Contacts
When I saw the list I ran through a series of peculiar sensations, from yay! to this is probably a mistake, I bet they update the website soon with the right names to Second Contacts looks like a fantastic anthology and Damn, Kelly Robson is on fire and I’m so glad Lackington’s published that story. The next day I’m no longer sure about the “it being a mistake” part, but the rest stands. I’m also glad Lackington’s got the nod by way of “The Glad Hosts,” considering what an excellent editor Ranylt is, and how much work it is to launch a magazine.
The award is named after Phyllis Gotlieb’s Sunburst (1964), a compelling piece of Cold War SF & nuclear anxiety. I have this additional, sideways joy in the name, because I used the novel in the last section of my dissertation, which was about the Cold War, with references to civil defence, the DEWline, spy novels, and Camp X, so Gotlieb’s novel fit in nicely between my creative & critical ambitions. Unfortunately the footnote got snipped at the very end, along with reflections on Graham Greene’s spy fiction, and Tinker Tailor Soldier Spy (sad truth: my footnotes were wayyyy better than the body of my dissertation– all the cool stuff was in the footnotes).
Oh– and I wrote “The Glad Hosts” with the help of an Ontario Arts Council grant, so I’m additionally pleased to give the OAC their money’s worth. I mean, at least on that story…